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Koji Log

 

Koji Advance

Full-featured film emulation plugin for Adobe Premiere (Mac only), Adobe After Effects (Mac only), Final Cut Pro X (Mac only). Also includes LUT files in .cube format for loading into LUT-capable cameras and field monitors.

  • Before-Koji 3523
    After-Koji 3523
    As Shot Koji 3523
  • Before-Koji 2302BW LC
    After-Koji 2302BW LC
    As Shot Koji 2302BW LC
  • Before-Koji 3523
    After-Koji 3523
    As Shot Koji 3523
  • Before-Koji 2383
    After-Koji 2383
    As Shot Koji 2383
specifications

film stocks:
Koji 2383
Koji 2393
Koji 3514
Koji 3521
Koji 3523
Koji 2302 (black and white)

supported source formats:
REDlogFilm
Arri Log C
BMDFilm
BMPC4KFilm
Sony S-Log2
Sony S-Log3
Canon C-Log
Cineon
Canon DSLR
Magic Lantern
Canon C-series
GH2/3/4
GH2 hacked
Blackmagic Video
Sony FS Video

supported destination formats:
Rec.709

LUT formats:
.cube

compatibility:
Adobe Premiere CS6+ (Mac)
Final Cut Pro X 10.1.4+(Mac)
Adobe After Effects CS6+ (Mac)

operating system
MacOS 10.9.5+

Koji Advance is designed to work with a wide variety of video formats, including DSLR, REDlogFilm, Arri Log C, BMDFilm, BMPC4KFilm, Sony SLog3, Canon C-Log, and Cineon.

As a full-featured software plugin, Koji Advance has many advantages or simple LUT files. We have built in a number of powerful color correction tools including an advance auto white balance, temp control, lift/gamma/gain, density, printer points, and advanced film grain taken from real 35mm negative stocks and applied adaptively.

Koji Advance takes care of most color space conversions for you. You can simply apply the Koji Advance plugin, refine your creative grade, and you are done. There is no need to figure out how to convert from your log format to Rec.709.

Koji Advance also includes a set of standard .cube and .3dl LUT files than can be loaded into LUT-capable cameras or field monitor. Loading the Koji LUTs in-camera helps to expose properly for the LUT you have chosen. Loading the LUTs into a field monitor allows you to preview the shot for a client in a way that looks more “finished” and impressive.

Koji Advance is designed to be a starting point for your own creative grade. Just like physical 35mm print stocks, Koji digital print stocks are a medium, not a finished “look”. Once you have applied Koji Advance, you will find that making subtle adjustments to the exposure, color, and film grain will allow you to craft your own look very quickly.

Koji Advance includes six 35mm motion picture film stocks. Each started out as physical print stock which was then carefully measured thousands of times and checked for accuracy. This information was then translated into a 3D LUT that could be applied to your digital footage.

Koji Studio

 

Koji Studio

Advanced film emulation for experienced colorists. Includes technical versions of the Koji film stocks with full color separation, as well as DCI-P3 output for Cineon. For Davinci Resolve, Final Cut Pro X, Adobe Premiere Pro, Adobe After Effects, Adobe Speedgrade, and Autodesk Smoke. Also includes Koji Advance.

  • Before-Koji 2393 Technical
    After-Koji 2393 Technical
    Sony FS700 Koji 2393 Technical
  • Before-Koji 2383 Technical
    After-Koji 2383 Technical
    Blackmagic Video Koji 2383 Technical
  • Before-Koji 3521 Technical
    After-Koji 3521 Technical
    Blackmagic Video Koji 3521 Technical
specifications

film stocks:
Koji 2383
Koji 2393
Koji 3514
Koji 3521
Koji 3523
Koji 2302 (black and white)

supported source formats:
REDlogFilm
Arri Log C
BMDFilm
BMPC4KFilm
Sony S-Log2
Sony S-Log3
Canon C-Log
Cineon
Canon DSLR
Magic Lantern
Canon C-series
GH2/3/4
GH2 hacked
Blackmagic Video
Sony FS Video

supported destination formats:
Rec.709
DCI-P3 (for Cineon)

LUT formats:
.cube
.3dl

compatibility:
DaVinci Resolve
Final Cut Pro X
Adobe Premiere
Adobe After Effects
Adobe Speedgrade
Autodesk Smoke
Autodesk Flame

operating system
MacOS 10.8+

Koji Studio provides a technical version of all Koji print emulation LUTs with full color separation. These LUTs provide an option for a richer, more striking print emulation and are designed for experienced colorists (they will look unbalanced “out of the box” and will require correction). Koji Studio includes DCI-P3 support for Cineon.

Koji Studio also includes Koji Advance.

Koji Studio is a set of standard .cube and .3dl LUT files than can be easily applied to your footage. Simply choose a Koji film stock, apply it to your clip, and then use the color correction tools inside your editing or color application to refine and perfect your creative grade.

Koji is designed to be a starting point for your own creative grade. Just like physical 35mm print stocks, Koji digital print stocks are a medium, not a finished “look”. Once you have applied Koji, you will find that making subtle adjustments to the exposure and color will allow you to craft your own look very quickly.

Koji includes six 35mm motion picture film stocks. Each started out as physical print stock which was then carefully developed and checked for accuracy. The color response of the stock was then measured thousands of times, using specialized equipment and processes developed for the digital intermediate workflow. This information was then translated into .cube and .3dl LUT format.

Koji Studio requires MacOS 10.8 and higher.

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